One of the darkest musicals ever written, Sweeney Todd: The Demon Barber of Fleet Street is the unsettling tale of a Victorian-era barber who returns home to London after fifteen years of exile to take revenge on the corrupt judge who ruined his life. When revenge eludes him, Sweeney swears vengeance on the entire human race, murdering as many people as he can, while his business associate Mrs. Lovett bakes the bodies into meat pies and sells them to the unsuspecting public.

The story concerns a middle-aged, asocial musical theater fan who, feeling “blue”, decides to play for the audience an LP of his favorite musical, the fictional 1928 show The Drowsy Chaperone. As the record plays, the show – a parody of 1920s American musical comedy – comes to life onstage, as the man wryly comments on the music, story and actors.

ESPERANZA RISING is the story of a young girl who is uprooted, transplanted, and re-grown in alien soil. The glorious, live music of Mariachis carries Esperanza (whose name means “hope”) across the dividing line that cuts through the center of this play. That line (both literal and figurative) divides two countries, two cultures, and two languages. It also separates Mexico and California, the year 1930 from 1931, and Act One from Act Two. Brought up in the lush and beautiful world of the Mexican aristocracy and then torn away and replanted in the impoverished world of a migrant labor camp in California, Esperanza ultimately fulfills the promise of her name.

Stakes are higher than ever before as SpongeBob and all of Bikini Bottom face the total annihilation of their undersea world. Chaos erupts. Lives hang in the balance. And just when all hope seems lost, a most unexpected hero rises up and takes center stage.